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Postcards from Grimethorpe: Music for Brass Band
When the American composer Jack Stamp was appointed International Composer-in-Association to the Grimethorpe Colliery Band in 2019, he conceived a recording project focused on works specifically written for the GCB, including compositions by himself and Liz Lane, the other GCB Composer- in-Association, alongside other pieces which have played a prominent role in the Band’s recent activities. The kaleidoscopic range of styles to be heard here displays the extraordinary virtuosity of one of the world’s best-known brass bands.
Grimethorpe Colliery Band
Jack Stamp, conductor
Ben Palmer, guest conductor
Jack Stamp: Chamber Music, Volume Two
Celebrating his 70th birthday on March 5th, the American composer John Stamp (b. 1954) – universally known as ‘Jack’ – is a familiar figure in the worlds of the symphonic wind-band movement that flourishes in US universities and of the brass band on both sides of the Atlantic. When the Barcelona Clarinet Players asked him for a new work, and then proposed this album, he had to create the repertoire from scratch. The range of moods he has generated here is surprisingly wide, from gentle night-music that caresses the ear, via jaunty fugal textures and buoyant counterpoint, to catchy dance-rhythms that set the foot tapping.
Barcelona Clarinet Players
North Texas Percussion Quartet
Lauren Shuyler, soprano
Albert Guinovart, piano
North Texas Wind Symphony
Eugene Migliaro Corporon, conductor
Samuel Adler: A Celebration of Sam @ 95: Piano Music and Songs
The youthful agility of Samuel Adler – born in Mannheim in 1928 but long since regarded as the dean of American music – would appear to contradict the fact that he reached his 95th birthday in March 2023. This celebration of his productive life – as composer, teacher, writer and conductor – testifies to his ongoing vigour with a programme of songs and piano works composed, for the large part, after his 90th birthday, many of them tributes to musician friends. His music has its roots in the Neo-Classical clarity of composers like Copland and Hindemith, who were among his teachers, but has a raunchy energy entirely
Adler’s own – and which would be remarkable in a composer half his age.
Sabine Goetz, soprano (Tracks 4, 11, 12, 17-20)
Noah Bendix-Balgley, violin (Tracks 17-20)
Laura Melton, piano (Tracks 1-3, 5-10)
Yevgeny Yontov, piano (Tracks 1-3, 13-16, 21-30)
Axel Bauni, piano (Tracks 4, 11, 12, 17–20)
